5 Reasons Why People Love The Dark Knight Rises 

Despite the mixed reactions from fans about Christopher Nolan’s epic, The Dark Knight Rises is as yet a fitting end to the trilogy and a fantastic Batman film on its own. Nolan’s acclaimed trilogy started in 2005 with Batman Begins, with Warner Bros, who were looking for a more gritty and grounded way to deal with the Batman franchise after the primary and commercial disappointment of Joel Schumacher’s gaudy Batman and Robin. The outcome was a dark and atmospheric blockbuster that stripped the character down to his most human roots and took motivation from stories, such as Batman: Year One and Batman: Shaman. The film did so well that it was followed  by 2008’s The Dark Knight, another massive and commercial success that is presently generally viewed as one of the most well-known films of the 21st century.  

Christopher Nolan’s The Dark Knight was a fantastic movie. There is no uncertainty about that, and nobody is even remotely  attempting to deny that reality. It came when hero movies were generally  light-hearted affairs that were neglected  critics. It re-imagined the genre and moved toward the topic in a more sensible methodology. It raised the superhuman movie into the dark and gritty domain we know, something that, despite everything, wins right up even today. 

Hey guys, welcome back to Watch Tank. Today we are counting down five reasons why people love The Dark Knight Rises

Number 5 – Catwoman 

Selina Kyle as Catwoman

Another character in this sequel was Selina Kyle, theCatwoman. Selina’s always had a significant role in the “Batman” folklore, and with her being most recently seen in Tim Burton’s Batman Returns, she was more than due to arrive at the big screen. In Nolan’s more grounded world, Selina was actually what she should be, an ace with an endearing personality and a mean round kick. Anne ends up being an inspired choice when she held her own with Christian Bale as  Batman. She quickly slipped into the role, as effectively as into the cat suit. With Selina close by, the movie found the opportunity to investigate something we had once in a while observed Bruce Wayne do, and that was to find an equation that he adored, both in and out of the costume. 

At first, the actor figured she would play Harley Quinn, by then still unseen in the true to live Batman films. Hathaway even auditioned as Quinn, accepting that was the character that Christopher Nolan needed her to play in the movie.” It wasn’t until four years after that Harley Quinn would at last show up on-screen, played by Margot Robbie, in Suicide Squad.  

 Anne Hathaway was praised for her performance as Selina Kyle, otherwise known as Catwoman. Yet, the casting procedure was so highly confidential that she wasn’t told forthrightly which character she was trying out for. In an interview, she stated: “I came in, and I had this lovely Vivienne Westwood kind of beautiful-but-mad tailoring top with stripes going everywhere. And I wore these flat Joker-ey looking shoes. And I was trying to give Chris these crazy little smiles. About an hour into the meeting, he said, ‘Well, I’m sure I don’t have to tell you this, but it’s Catwoman.’ And I was shifting into a different gear. ‘Now, ok, we’re slinky. We’re slinky. And I hate my shirt. I love my shirt, but not right now. We’re slinky.” As much one can imagine, Hathaway thumping Harley Quinn out of the recreation center, the character’s childish nature doesn’t appear the snuggest fit for Nolan’s films’ more grounded tone.   

Hathaway’s Catwoman is a lower-class Gothamite who, from the outset, has confidence in Bane’s “Make Gotham Great Again” plot. Yet, when she perceives how severe and dangerous Bane is, she changes her tune. She wanted to move out. However, she can’t get out. Gotham is closed off – the bridges were blown, each exit sealed. Also, there is a time bomb everywhere in the city. An atomic reactor that will level Gotham and everybody in it.  

Number 4 – The conflicts 

Bane - main villain in The Dark Knight Rises
Bane – main villain in The Dark Knight Rises

The Dark Knight Rises worked as it hit the right chord. When the partition between the rich and the working class was a fundamental of the political and social clash, Christopher Nolan fused that difference into his movie. As a millionaire, Bruce Wayne was living well until he lost his benefits and a seat on his organization’s leading group. He turned out to be simply one more resident of Gotham, among the individuals who were battling for scraps to survive. 

As the main villain, Bane moved toward the residents with a false truth and hoped to remove power from the 1% and give it back to the city’s people. In  fierce succession, we see them do  that when they transformed the city into their no man’s land, with the great people battling as the opposition against their oppressors, who guaranteed them the opportunity. These subjects were similarly as relevant when the movie came out as they are currently, and it was something that Nolan explored effortlessly, without falling into lecturing about it.  

Number 3 – The pit  

The return of Bruce Wayne
The return of Bruce Wayne

When Bruce Wayne was broken and crushed, he was taken to Bane’s jail, where he had to observe the villain taking control over his city. It was in those scenes that the genuine soul of the movie uncovered itself. Where Bruce had gone through the most recent eight years living in detachment, avoiding life and the world, he discovered his will to live once more. His choice was to fight back; Bruce prepared again to battle for his city.  

In what could be viewed as a scene inspired by the Rocky movies, a vanquished and tired Bruce Wayne went far away to prepare, become more grounded, and come back to battle the villain again. He may have begun the movie as an imprudent, reckless, and debilitated man, yet he emerged as reliable, lowered, and ready to forfeit everything for Gotham. He figured out how to move out of that pit of jail, as a more grounded, better man, and became an even better Dark Knight.  

As stunning as The Dark Knight was, it was  more a crime thriller with a man in a costume and cruiser than a superhuman movie. The Dark Knight Rises returned to its Batman Began roots and doubled down. With a costume-wearing cat criminal, a veiled, abhorrent behemoth, and even a companion covering up on display, Rises figured out how to turn into the most “comic book”-like” of movie trilogy. It didn’t avoid its comic book roots and instead appeared to embrace them.  

Where the bat-mobile was destroyed at an early stage in the second movie, we currently had three of them watching the avenues of Gotham and top of that the Bat, a flying vessel for Batman to go around in. We had the danger of a nuclear explosion clearing out Gotham, a stadium under attack, armies of police and soldiers of fortune battle between the hero and the villain was seen in the streets. No matter what people say or think about the movie, it happened as the most super-chivalrous  of the three Nolan films.  

Do you think Nolan did justice to the comic book? Comment down below and let us know. 

Here are some more aspects of the film that the viewers loved before take you to our number 1 choice. 

  • The score  

When it comes to DC movies, especially Batman, Hans Zimmer is the official composer. He  worked on Batman trilogy. Zimmer’s work has been iconic, such that it creates an entire atmosphere of Batman’s world. His themes have now become synonymous with Batman, especially the way the character of Batman has come out. 

Zimmer’s music will stay with us and made us feel every bit of emotion from perfect to breathless to imaginable.  

  • Tale of Two Cities  and The Dark Knight Rises 

Nolan mentioned learning from Lang, the specialty of “staging huge events for the camera.” Nolan drew on A Tale of Two Cities for its group and progressive themes while taking direct inspiration from one character. The kangaroo court scene where Bane sits at the rear of the room weaving is a referral to Two Cities’ Madame Defarge, who likes to sew as she watches executions.  

Much like the book, Nolan’s film is focused on ideas of class struggle, uprising, and heroic penance, while two of the film’s characters – Phillip Stryver (Burn Gorman) and Barsad (Josh Stewart) – are likewise named after the novel’s own.  

In the film’s epilogue,  Commissioner Gordon (Gary Oldman) gives a commendation for an assumed dead Bruce (Christian Bale), reading a famous speech from A Tale of Two Cities. Further, it can be noticed  that Gordon is holding a copy of the book while offering speaking at Bruce’s grave.  

Even though the literary reference may be evident to viewers, others may not know that the film’s story and themes are inspired by Charles Dickens’ exemplary novel, A Tale of Two Cities.  

Number 1 – A beautiful city and people rising from abyss 

The entirety of this unfolds with a general element of the show that no other comic book movie can come close to. Similarly, as The Dark Knight didn’t feel like a hero movie to such an extent as it did a crime film, The Dark Knight Rises feels more like an epic show. Nolan is used elements from the French Revolution and A Tale of Two Cities  – kangaroo courts, a revolution in the boulevards, and executions . It is hard to review a solo comic book film that endeavors to pack such a significant amount into one narrative and does as such effortlessly. Not even the ongoing Avengers: Infinity War, with its many characters, comes close.  Nolan loads the film with so many stories, but  none of it appears to be constrained or rushed. 

While Bruce Wayne gets a more significant amount of a bend here than he did in The Dark Knight, he’s not by any means the only hero of Rises. He imparts that obligation to John Blake (Joseph Gordon-Levitt), a beat cop who realizes that Bruce Wayne is indeed Batman. There some complaints about this, “How could some random cop know the truth about Batman? But truly, any individual who happened to be focusing in Gotham could’ve gotten  this. Batman didn’t show up in the city until after Bruce Wayne, long missing, returned. It’s self-evident. Gordon-Levitt’s Blake is an addition to the franchise. He’s a hopeful youngster who, despite everything, believes in Gotham and Batman. Official Gordon (Gary Oldman), is gradually being disintegrated from within, as Gotham itself, for concealing the lies about Harvey “Two-Face” Dent. In any case, Gordon is the past. Blake is what’s to come – the expectation that Gotham needs.  

Blake is going to take on the position of Batman. He’s going to turn into the symbol, just what Gotham needs. The Batman in The Dark Knight Rises is a legend. A folkloric who is worshiped – “Do you think he’s coming back?” one inquires.  The city needs Batman – in any shape and structure. It doesn’t need to be Bruce Wayne – it merely must be somebody, anybody, ready to battle for what’s right. Once more, this conflicts with nearly everything set up in the comics, where Batman apparently should be Bruce Wayne. Yet, that is not the sort of story Nolan is telling. He’s dealing with fantasy and legend. He’s painting with a broader brush. He’s painting a masterpiece. 

Nolan surely knows what to do with his piece. He is an ideal craftsman with minute details you have to give an eagle’s eye view on to understand appreciate his work. What do you think? Let us know in the comments below.